Rédaction Africa Links 24 with Mick Raubenheimer
Published on 2024-03-23 08:00:53
Fashion designer Marquen Carstens has recently ventured into new creative outlets, such as writing and directing plays. His journey as a creative artist began at the age of 14 when he developed an interest in sewing. What started as a way to make some extra money quickly blossomed into a full-fledged passion for fashion design. Through experimenting with different designs and techniques, Carstens realized that sewing was more than just a hobby – it was an integral part of his identity as a creative artist.
In addition to fashion design, Carstens finds inspiration in other branches of art, such as dance, creative writing, and theatre. His experience working in the dance industry as a costume designer and arts administrator exposed him to the art of dance, opening up new creative avenues for him. Through his NGO, Kookhuis Creatives, Carstens delved into creative writing, exploring storytelling, poetry, and journaling as means of self-expression. Furthermore, his foray into theatre allowed him to combine various art forms, such as acting, writing, directing, and costume design, creating a multidimensional and immersive experience.
Carstens draws inspiration from mentors such as Alfred Hinkel and John Linden, as well as theatre maker Lara Foot, who have influenced his work in theatre. He believes that art’s most important function lies in empowering youth with employment opportunities and providing them with a platform to express their thoughts and ideas. In a country like South Africa, where social and economic growth is vital, art serves as a catalyst for inclusivity, diversity, and cultural exchange.
Collaborating with local creatives such as Ester Engelbrecht, Shanell Brant, and his mother, Maria van Wyk, on the script for “Bloedbande” has ignited Carstens’ passion for storytelling. By sharing untold stories from Namaqualand, Carstens aims to contribute to the broader recognition of the region’s rich culture and history. He finds excitement in crafting narratives that capture the essence of Namaqualand and resonate with audiences on a deeper level.
While Carstens acknowledges the potential of artificial intelligence in the arts, he still prefers the manual approach to his craft. He envisions a future where technological advancements complement, rather than replace, traditional creative processes. Currently, Carstens is focusing on the rehearsal stage of “Bloedbande,” a play set to premiere at the Klein Karoo National Arts Festival. Additionally, he is busy with the matric dance season for 2024, catering to young clients and continuing to evolve his fashion label as his first love.
In conclusion, Marquen Carstens’ creative journey spans across various art forms, from fashion design to theatre, showcasing his versatility and passion for storytelling. Through his work, he aims to preserve and share the rich cultural heritage of Namaqualand while inspiring the next generation of creatives.
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