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South Africa: Drama and dance in the days of apartheid — recollections of an American diplomat in South Africa

South Africa: Drama and dance in the days of apartheid — recollections of an American diplomat in South Africa

Rédaction Africa Links 24 with J Brooks Spector
Published on 2024-03-12 21:15:54

The pivotal moment of discovery in a journey can often define the entire experience. For one individual, this moment came after a long flight from New York City to Johannesburg, with stopovers in several African cities along the way. Arriving in Johannesburg late at night after more than 24 hours of travel, the individual found themselves in a unique situation. The journey had been a solitary one, with only a handful of passengers remaining on the plane upon arrival. The presence of prominent figures like Mangosuthu Buthelezi added a layer of intrigue to the experience.

Settling into an empty house in Johannesburg’s suburbs, the individual’s first encounter with the local customs was both surprising and thought-provoking. Waking up to find a cup of coffee on the night table, left by an unseen housekeeper, raised questions about the dynamics of the society and the stark divisions between different racial groups.

Prior to relocating to South Africa, the individual had limited knowledge about the country, gathered from books and articles. As a US Information Service officer, their role was uniquely focused on cultural exchanges, educational programs, and media relations. The lack of television in South Africa at the time meant that staying informed required creative measures, such as reading international publications and tuning into shortwave radio broadcasts.

Despite the apartheid regime’s strict control over media and cultural activities, the individual delved into the vibrant cultural scene of Johannesburg. They engaged with local artists, attended performances, and supported initiatives that promoted cultural diversity. The oppressive political climate did not deter them from forging connections with the local community and supporting initiatives that challenged the status quo.

Over time, as the political landscape in South Africa began to shift, the individual’s role as a cultural attaché took on new significance. They navigated the changing dynamics of the country, fostering relationships with liberation movements and facilitating cultural exchanges that contributed to the democratization of the cultural sphere. Initiatives like the Dance Theatre of Harlem’s tour to South Africa marked the end of the cultural boycott and symbolized a new era of cultural diplomacy.

As South Africa transitioned towards a more inclusive and democratic society, the individual witnessed the power of culture in driving social change. Collaborations between local and international artists, supported by progressive movements, paved the way for a more open and diverse cultural landscape. The individual’s journey in South Africa reflected the resilience of the human spirit and the transformative power of cultural exchange in times of political upheaval.

Ultimately, their experiences in South Africa underscored the pivotal role of cultural diplomacy in bridging divides, fostering understanding, and promoting positive change. As they departed from the country, their legacy remained intertwined with the rich tapestry of South Africa’s cultural evolution, leaving behind a legacy of mutual respect, collaboration, and shared creativity.

Read the original article on Daily Maverick

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