Rédaction Africa Links 24 with Sunny Green Itodo
Published on 2024-02-22 17:23:33
In a recent interview with Daddy Freeze, veteran Nigerian rapper Ikechukwu Onunaku, commonly known as Ikechukwu, made some startling revelations about his time at the now-defunct Mohits Records. He disclosed that D’banj, the co-founder of Mohits Records, used to give him only N50,000 from shows he got booked for N1 million while he was signed to the label. This revelation shed light on the internal workings of the record label and the dynamics between the artists and the co-founders.
According to Ikechukwu, after confronting D’banj about the disparity in payment, the amount was eventually increased to N150,000. He mentioned that D’banj had to consult his mother before making the decision to increase the payment. This revelation highlighted the significant influence that D’banj’s mother had on decision-making at the record label. Ikechukwu’s comments provided a rare glimpse into the internal workings of the music industry and the power dynamics that existed within the Mohits Records.
The disbandment of Mohits Records in 2012, confirmed by the co-founder, Don Jazzy, was also mentioned in the interview, with differences in interests cited as the reason for the breakup. This added context to the revelations made by Ikechukwu, as it indicated that there were underlying tensions within the record label that ultimately led to its dissolution.
The interview with Ikechukwu offered a candid and unfiltered look at the inner workings of the music industry, shedding light on the power dynamics, decision-making processes, and internal conflicts that can exist within record labels. It also highlighted the influence that individuals outside of the artist-cofounder relationship can have on the operations and decisions made within the music industry.
With the music industry often portrayed as solely focused on creativity and talent, Ikechukwu’s revelations offered a sobering reminder that it is also a business rife with power struggles, financial negotiations, and interpersonal dynamics. This transparency provided by Ikechukwu offered valuable insights into the less glamorous aspects of the music industry, giving the audience a glimpse behind the scenes of the music business.
Overall, Ikechukwu’s interview shed light on the complex and multifaceted nature of the music industry, showcasing the often overlooked power dynamics and decision-making processes that occur behind the scenes. It served as a reminder that the music industry, like any other business, is subject to internal conflicts, negotiations, and power struggles that can influence the careers and experiences of the artists involved. Ikechukwu’s candid revelations provided a valuable perspective on the less glamorous side of the music industry, offering a rare glimpse behind the curtain of the music business.
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