Rédaction Africa Links 24 with lexpress
Published on 2024-03-06 02:45:00
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| Yesterday, Minister Augustin Andriamananoro explained the approach to register the tsapiky rhythm in the UNESCO intangible cultural heritage list. |
Following the Kabary, the Hira gasy, and the Zafimaniry craftsmanship, the MCC is now committed to registering the southern tsapiky rhythm on the UNESCO intangible cultural heritage list.
Cultural identity. The Ministry of Communication and Culture (MCC) is opening a new chapter in the recognition and preservation of Madagascar’s rich cultural heritage. After the success of the Kabary in 2021 and the Hira gasy in 2023, a new proposal is emerging. The MCC proposes to include the tsapiky rhythm in the UNESCO World Intangible Cultural Heritage list.
The MCC teams are currently working to gather the necessary data, collect the stories and histories that shape the very essence of tsapiky in the Toliara region. “We have sent the General Director of Culture to Toliara to gather the history and everything we need to know about tsapiky. We will try to mix the culture of each region to enrich UNESCO’s heritage. The Hira gasy belongs to the Merina, so we opt for tsapiky, which represents the culture of Toliara. We cannot propose heritage to UNESCO every two years. Currently, we are completing the documentary foundations to submit our request to UNESCO,” said Minister Augustin Andriamananoro during an exclusive interview with him.
Recognition
Through this initiative, the Ministry of Communication and Culture affirms its commitment to preserving, promoting, and sharing Madagascar’s rich cultural heritage with the world. By proposing tsapiky to UNESCO, it is a part of the Malagasy soul that aspires to shine in the firmament of international recognition, so that its richness is celebrated and protected for future generations. Currently, the MCC is exchanging with tsapiky artists and the Sairy Matoe association of Toliara, which has in-depth knowledge of the history and evolution of tsapiky. Historically originating from the 1970s, tsapiky gained momentum in the 1980s with the integration of electric guitars. Fast and energetic rhythms coexist with more subdued atmospheres, thus offering a unique sensory experience. This music, amplified, synthesized, and remixed, has conquered the radio waves.
Nicole Rafalimananjara
Read the original article(French) on lexpress.mg
